"Tails of the Sea" was my second snowdog design to be selected by the Sponsor "Primary Times" Sticking with a nautical theme this design features a Salty Seadog inspired by North East Fishermen, tattoos and all! It was a pleasure to have this design chosen by Primary Times as I have young Children and read this magazine every term. I painted "Tails" in the Bridge Gallery in Tynemouth Station so that people could see my work in progress. Thanks to everyone who gave the design a thumbs up as they viewed through the windows. He was an exciting dog to paint. His beard took me two days alone to paint and I loved painting on the tattoos!
Tails of the Sea will be on display in Sunderlands Keel Square for the ten weeks. If you think you would like to give him a good home, he is well trained, enjoys sailing and likes to eat the occasional fish! Contact me for your invite to the auction to raise funds for St Oswolds Children's Hospice on the 6th December.
Skipper the Snowdog is one of 60 Great North Snowdogs is an exciting public art trail, based on the Snowman and the Snowdog, by Raymond Briggs. The project by Wild in Art and St Oswolds Childrens Hospice brings together locally and nationally acclaimed artists, North East businesses, schools, community groups and the general public to create a sculpture trail across the North East. The trail will run from the 19th September for 10 weeks, followed by a public auction for the Sculptures to raise funds for St Oswolds Childrens Hospice.
My involvement in the project began earlier this year when I entered the competition to paint a Great North Snowdog. Hedging my bets I entered two designs hoping to maybe get one picked, but luckily for me both of my designs took the fancy of the Sponsors. One of my designs based on the North Shields Fish Quay was selected by the sponsor DFDS Seaways and named Skipper the Snowdog. It was a perfect match! DFDS had some exciting plans for Skipper, including a video and a trip on Princess Seaways to Amsterdam.
Painting Skipper took over a week to paint and I videoed the whole process. It is the first time I have ever painted a 3d sculpture and it proved an exciting challenge. Skipper was too large to paint in my studio so I joined an army of other artists to paint him in a warehouse at a top secret location! Once he was finished DFDS interviewed me about the project and made this video clip about Skipper and his travels to Amsterdam. We had great fun working together on such a unique project and it was a delight to be able to take my family on board ship to see him in place on board the ferry.
You can see Skipper on North Shields Fish Quay during the trail and remember to take a selfie with him using the hashtag #skipperthesnowdog and #greatnorthsnowdogs. If you post your pictures on the DFDS facebook page they are running a competition to win an original painting of mine.
If you think you could give Skipper a good home he will be auctioned off on the 6th December to raise funds for St Oswolds Childrens Hospice. Contact me for your invite! Happy Snowdog hunting!
Back to the Beach is my latest exhibition and my most exciting to date! Set in the historic Tynemouth Station Bridge Gallery, the seaside location is the most perfect setting for my summer exhibition.
Six months ago I was approached by Ylana First the curator of the Bridge Gallery and long time friend of Tynemouth Station. She notice that I had recently been working on a deckchair for the Staithes Arts Festival and mention she had 10 vintage Whitley Bay District Council 1950's deckchairs in storage and asked if I would be able to make an exhibition out of them? And so the idea was born!
Four months of hard work later and a collaboration with my sons local primary school in North Shields I put together the exhibition called Back to the Beach.
The exhibition explores
the revival of the British coastline and celebrates the love for our local
beaches.The deckchair was once synonymous with the great
British seaside holiday. It saw a decline in the 1960’s with rise in package holidays
abroad leading people away from our once thriving coastline. I brought
back to life these original 1950’s deckchairs by creating new chair slings with
my artwork, which combines painting, collage and stitching
Local is the essence of this show. I made sailing boats from driftwood collected at Tynemouth Haven. I used maps of the area and collaged them into each deckchair sling and of course the old deckchair frames themselves that
used to adorn the beaches of our North Tyneside coast.
The exhibition also combines my own artwork
with a collection of deckchairs designed by pupils from Whitehouse Primary
School in North Shields. I worked
with the local school children to create some stunning designs using their
colourful seaside drawings. It was fabulous working with the children and together we also made the colourful bunting that decorates the exhibition.
It is the biggest exhibition of my career so far and one of the most challenging spaces create to work for. Viewing is from all sides and it encouraged me to work larger scale with more 3D pieces.
The exhibition runs from the 11th June to 31st August 2016in the Bridge Gallery in Tynemouth Station (The actual bridge that takes visitors over the metro railway!)
You can also watch me paint live in the gallery on the 3rd 10th & 17th July Followed by a sneaky peek at 3pm for a closer look inside the gallery space.
People often ask me how long does a painting take??.......one of the trickiest questions to answer!! Some take longer than others and often the best pieces of work come quickly and easily. So I thought I would take you all through the process that I work through to create a painting.
Step 1. The idea. This is a light bulb moment that pops into your head, my head is filled with them. Anything can spark one off, a walk on the beach, the colours of the sky, the shape of the landscape........most will stay in my head but one or two will make it onto paper. This particular painting was a commission so it is a collaboration between myself and my clients ideas.
Step 2. The sketch. Getting those ideas out of you head and onto paper. Doodle and draw, go to the view that has inspired you and sketch it out. I like to figure out a composition at this stage. Often I am selective and make more of the most exciting elements within a scene and leave out what is not so pleasing to the eye. I always take photos too to remind me of the detail, technology is there so why not use it!
Step 3. Preparing the canvas. I like to work on a textured surface so I paste crinkled tissue paper to my board or canvas, let it dry then roughly gesso over it. I then paint my base colour. In this case blue. This will be the colour that will show through and create my lines.
Step 4. Redrawing onto canvas. Using a white pastel pencil I draw up my sketch onto the canvas.
Step 5. Get painting :-) Usually I start by blocking in larger areas and then work towards the finer details. Finishing off with white as my final colour.
Step 6. Knowing when to stop! Often when I think I have finished I will hang the painting on my wall at home and often I see a few additions that need to be made before I call it finished.
Step 7. Scan or photograph, varnish the painting then head to the picture framers.
Ta da! All finished. This painting was a commission and will be hung in a private cottage in Craster.
Welcome folks, I would like to introduce you to my new collection of seaside cards for 2013. Throughout last year I have been working with torn paper, collage and paint to create some new designs all inspired by the seaside of course!